Early pieces by Walter Dahlhoff and Ernesto Kohler, where the ethereal sounds of the harp create a harmonious link with the sound of the two flutes, give us late romantic atmospheres.
With Frank Martin, Hanns Eisler, and Arthur Honegger, the writing becomes more harmonically daring while maintaining a link to the contrapuntal tradition of the German Baroque.
The program takes us on an exclusive journey with its full focus on the repertoire of the historical Central European twentieth century.
P R O G R A M M E
Walter Dahlhoff (1877) Pan und Nymphe – Idyll
Ernesto Kohler (1849) Au vol d’oiseau – Scenes Pittoresques op. 98
Frank Martin (1890) Piecès Brèves
Hanns Eisler (1898) Sonatensatz op. 49
Jan Felderhof (1907) Andante and Sonatina
Arthur Honegger (1892) Petite Suite
Lino Liviabella (1902) Three Pieces (Arabesque, Scherzo, Marcetta)