In the second edition of Lieder & Tablet, a pair of excellently educated young people realize that the History of Music Composition is absent from their education. Invited to a concert of Lieder, they find that those lyrics do not leave them indifferent at all, and that that music makes them feel good, because it contains a search for beauty in relationships, and this may perhaps even provoke in them a crisis, which is that sense of “constructive inferiority” that one feels in front of a work of Art and its author.